Hugh Jackman Remembers Epic Deadpool And Wolverine Water Bomb Festival


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On account of the nostalgia this year, Hugh Jackman, reminiscing on the anniversary of the riotous Water Bomb Festival-the very same riotous affair that became a viral sensation during the Deadpool and Wolverine press tour in Korea-went on to have his ode to. This lone throwback post came without pictures or videos; instead, Jackman supplied a very simple caption that read, “A year ago – on this day. #korea #waterbombfestival #deadpoolandwolverine #july.” At the moment, Internet geniuses immediately knew what moment he was referring to.
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If for some odd reason the Water Bomb Festival has slipped out of people’s memory, the appearance now sleeps with legends. Jackman and Reynolds transformed what surely would have been just simple press into a spectacle worthy of being drenched with excitement as any further hype of a simple movie promotion could be. The vibe was electric; the two stars could not have been more charged with chemistry standing beside each other; the whole thing established that Deadpool and Wolverine was the must-see blockbuster of 2024.
The very mention of the Water Bomb Festival hit the nail on the head as huge masses of fans poured in the comments about promo days of the movie being missed. One said, “I miss having daily interviews about this film. Bring the press world tour back please.” Another chimed in, “The Deadpool and Wolverine Era will forever be ICONIC and my favorite.” There was a solid repeat: people are nostalgic not just for the movie, but for the entire cultural moment around the time of its release.
Strangely, a lot of comments were directed more on missing the press tour than on missing the movie itself. One exclaimed, “I miss watching y’all daily promotions and interviews.” Yet another chimed, “I remember that day very well, I was hoping to meet you on the streets of New York and instead you were on the other side of the world.” There’s a large amount of sentiment that the promotional cycle had become entertainment itself, with Jackman and Reynolds’ real-life chemistry almost as fascinating as that of their on-screen characters.
Some fans are already placing the movie in the annals of classics, with “You guys gifted us with the best movie ever, with the best characters, the best chemistry ever.” Others, however, are wistful, simply stating, “Take me back to summer ’24.” That speaks volumes for how some films transcend just being films-they become shared cultural moments that are anchored in specific points in time.
The Water Bomb Festival was more than just another stop on the press tour-it was an expression of the wild, freewheeling spirit that made the marketing for Deadpool and Wolverine so much different. Very short and yet meaningful, Jackman’s post was a final, dramatic clutch at reminding everyone of how great that whole period really was. Judging by the response, fans want to cling tightly to that feeling for quite a while.
The fact that such an anniversary comes while the superhero genre presently rots away under mounting criticism makes it all the more relevant. Deadpool and Wolverine just cut straight through all that chit-chat by simply being unabashed entertainment-pure, in the film itself and in its marketing. So this throwback from Jackman is not just reminiscing on the good times; it’s a subtle reminder of the times when blockbusters did catch the public imagination: pure heart and humor.
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Another fan captured it well: “That day was great for promoting the film and for those who were there. And I enjoyed it just the same. May the memories and success continue.” A year later, those memories still zip with power, for the stars and the audience alike.
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